By Ma. Alaine Pernecita Allanigue
Essay by Adriano Pedrosa |
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Untitled (Ross and Harry) 1991 Photo Source: http://greg.org/archive/felix_untitled_ross_harry.jpg |
Just like in Sonnets, Shakespeare’s sonnets
were all entitled “Sonnet” followed by a number. But each sonnet has its own
art, its own emotion and rhyme. I might be one of the public who were puzzled
by these titles of using “Untitled” as titles with words such as a name (Ross) and
memorable significant dates enclosed with parenthesis beside it. According to
the artist, his public is Ross, his lover and friend, these untitled titles may
have a relation on what he wants to say to him and he wants him to remember.
When a loved-one is dying, you are reminiscing and trying to get back the
memories, holding them up to the very last breath. Maybe this is one of his
intentions. And that his love for Ross cannot be interpreted through words, that
“Untitled” may have hold this unexplainable love for him.
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Photo Source: http://itooktheother.files.wordpress.com/2012/12/img_4558.jpg?w=1280 |
In effect to me, once
you named an art, it might seize the audience with the idea surrounded and
related only to the title limiting them to explore freely and feel the emotion
presented by the art but when you give an open title welcoming everyone to let
them think freely and realize what the art wants to say, a deeper appreciation
takes place.
Felix Gonzalez-Torres’s
works were moving once you know the story behind it. His installations may look
ordinary at first, let’s face the fact that not all people have this
art-interpretation skills.
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Photo Source: http://www.catch-fire.com/wp-content/uploads/2011/11/felix.jpg |
His works such as the clocks (perfect lovers), the
empty bed, the portrait of Ross might look ordinary but it will be made
significant once you learned the feeling, emotion and love behind it.
According to Emily Boone Hagenmaier’s essay
on “Untitled (queer mourning and the art
of Felix GonzalezTorres)”,
“Gonzales-Torres’
art provides an alternative to dominant, normative understandings of grieving… the art of Gonzalez-Torres does
not insist upon letting go of a loss in order to overcome grief. The artist
posits that the memory of people or events lost continues to affect the present
and offers hope for the future.”
I wonder if the arts made by people at present
time will be appreciated like this. For mostly, arts of ages are more
appreciated and served as a framework or standard basis of what is good art and
what is bad art.
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Photo Source: http://imageobjecttext.files.wordpress.com/2012/02/felix-gonzalez-torres-untitled-bed-1992.jpg |
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